U.S COMMITTEE FOR REFUGEES AND IMMIGRANTS
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Children of Men: Wastelands and Hope

June 24, 2025

Note: Spoilers and details of violence ahead.

 

“Borders will remain closed. The deportation of illegal immigrants will continue.”

 

These are the opening lines of Children of Men. This cinematic essay was directed by Alfonso Cuarón and released in 2006. Over the years, it has been heralded as a premonition. Its imagery has been compared to news media photographs of kids in cages, migrant drownings, and Guantánamo Bay detention centers.

The film is set in 2027, but the story is timeless. The film takes place in the United Kingdom, which has become the last stable country after nuclear fallout. The human race is on the brink of extinction—no one on Earth has heard a baby’s cry for over 18 years.

The United Kingdom is inundated with refugees, and the Government criminalizes helping foreigners. “To hire, feed, or shelter illegal immigrants is a crime.” Refugees, referred to as “fugees” are rounded up, caged, and killed. The film follows Theo, a former activist turned apathetic bureaucrat, as the reluctant hero after he is tasked with accompanying a pregnant, Black refugee to a “Human Project” boat, the Tomorrow.

With transit papers in hand, Theo begins his arc of heroism as he guides a pregnant refugee, Kee, to “Human Project”—a secret society of scientists trying to find a cure for infertility. In order to reach the ship, Theo and Kee purposefully smuggle themselves into a refugee camp. The refugee camp is part-detention center and part-ghetto. People are put into cages. Homeland Security officers force people on their knees, with their hands to their hood-covered heads. People are pushed, slapped, and pulled by their hair. In one shot, you see lifeless bodies lined up in a row. As refugees enter the ghetto section, watches are taken from wrists and refugees’ bags are piled in heaps.

It is in this horrid environment that Kee gives birth to a baby, a female. Before Theo, Kee, and the baby can get to the boat, the Uprising starts. A battle ensues between The Fishes (an underground refugee rights organization that is scapegoated for staged terrorist attacks) and the British military, and refugees are killed in the crossfire. Intense shelling leads to innumerable loss, but a moment of peace breaks out when people hear the baby’s cry.

Everyone’s hands are outstretched, reaching for the baby. In that moment, you can see what has happened to this society—one that has lost the hope that the next generation brings. Not only is there no incentive to preserve the world for the next generation, we see how utterly fatal it can be to delay addressing crises.

In our society, climate change and nuclear buildup is glibly tossed for the next generation to solve, and immigration reform is for the next Administration or the next Congress to pass. Director Cuarón said that he wanted to convey the lack of regard for future generations. We allow outdated systems to mess up society by delaying solutions, with the hope the next generation will clean it up

When Kee is hiding in a dairy barn, she tells Theo that four of the cows’ udders are cut off to fit the milking machine, because it only fits four out of the natural eight. She asks, “Why not make machines that suck eight [udders]?”

In that same vein, why not make an immigration system that fits? Why do we instead force migrants to fit into systems that often strip people of their dignity? Instead of planning for deportations, extractions, and enforcement, we have the choice to plan for inclusion and integration. Planning for inclusion not only promotes safe migration and human rights, but it results in economic benefits, international cooperation, and community development.

At the end, we are not sure if Kee and her baby made it to Human Project or not. Theo rows her out to the meeting place, but the last image we see is of Kee holding her baby in a dilapidated rowboat rocked in the waves with distant ship lights in the fog. Director Cuarón said that he wants each viewer to decide if there is still hope.

 

 

Children of Men is currently for rent/purchase on Amazon Prime Video, YouTube, Apple TV+, and Fandango at Home.

 

USCRI, founded in 1911, is a non-governmental, not-for-profit international organization committed to working on behalf of refugees and immigrants and their transition to a dignified life.

 


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